I also was fascinated by the next two quilts with their all over applique, it was like looking at tapestries. The first was by Deborah Kembel from Santiago, Chili. I came back to this quilt several times and saw new details each time. The next quilt was by Liz Jones from Herefordshire, United Kingdom (it really is an INTERNATIONAL quilt festival) and her applique method was the satin stitch,beautiful work.
Because applique quilts are my favorite I really wanted to study how they were quilted, especially the background quilting or fillers behind the applique blocks. For the rest of this post I am going to show a picture of the quilter's name and quilt description and then a picture of the whole quilt picture, and finally the close ups of the quilting. I thought it was interesting the quilter divided the block in quarters and did simple parallel quiting lines in different directions on opposing quarters.
The feather quilting with the flower motif corner stones was a good hiding effect over the block seam lines. The applique background was a dual line cross hatch
In conclusion, as I work on two applique album quilts and wonder how I am going to quilt them, I have decided you can not go wrong with the classics: cross hatch, echo, or stipple, but a few feathers or other quilting motifs thrown in for interest is always fun.
I have saved my favorite quilt designer for last, the applique background quilting is a cross hatch. It was a joy to see Sue Garman's Friends of Baltimore in person.
Happy Stitching All
Thanks so much for sharing these beautiful applique quilts. Since applique is also my favorite it is especially nice to see the ones at Houston and I loved that you highlighted the quilting!
ReplyDeleteI live in Australia and it is not possible to get to Houston to see the exhibition in person so I thank you for the beautiful photos and the label so I know who made them
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